#BetterThanYouRemember
Oh, you know the story by now, don’t you?
About 23 years ago when I was first tricked into an illegal government project, Operation Birddog, I had to spend an inordinate amount of time studying pop media. I didn’t know why but I did learn something from My studies which were culled or pulled from all newspapers from the WSJ to the USAToday to the L.A. Times to Barron’s and from movie studios from Dreamworks to Warner to Lionsgate and from television studios from NBC to ABC from cable fron TNT to HBO and from online platforms from Facebook to YouTube. I even had to study pictures uploaded to celebrity’s Instagram’s because of the algorithmn with which such pictures would be presented to Me.
Instructions to this were never done overtly just covertly and you just sort of figured it out as you went along. The bottom line is that I studied pop media for several hours a day in several different mediums while fighting for My survival in homelessness which took Me from Phoenix to San Francisco to Nogales to Orlando to Los Angeles to San Diego. And the messages were insterspersed very cleverly into these publishings. I was on the front page of the Wall Street Journal every day for six years and three months that I religiously bought the periodical but no one else knew that worldwide except for Myself.
Which brings us to our current subject: Genocide Paraphernalia.
This is a term I coined long ago to define what I was studying or looking for that would soon stand-up from the pages of People Magazine that I had never surmised before–messages of genocide to Americans published by Americans. Specifically, the federal government, I believe, as well as the Fraternal Order of Police if I had to guess.
And there’s something else–over the4 last 23 years there is a real increase in the density of this phenomena in our pop media. You see it every day–even walk by it though it be published on a billboard–and you don’t see it. You don’t notice the obvious; the messages and warnings of hate or murder that are planned for some.
So without going upon further tangent on this subject, which I Am tempted to at this moment, let Me keep the focus on a question I arrived at back there somewhere upon realizing that there was an increase in this phenomena and that was, How long had this been going on in America?
And then I realized that there are scant traces of it, back there, somewhere, in our lineages and history books and almanacs and….who knew what when?
Music to the rescue.
Music videos have been a favorite of Mine ever since the medium first appeared in the 80’s. I used to leave MTV running in My living room when I worked at home selling insurance in My early 20’s. Music videos are a great way to get a sense of the nomenclature and state of the art at that moment of time. As well as sentiment, no less.
So without further adeu, I will introduce you the best examples of genocide paraphernalia to be found in our music-video history books. Each song on this list is here because of one of two things: it either has innuendo–meaning nonverbals, or gestures or body language, or codified speech, or display of motif (such as a checkerboard floor), or some leak that betrays that it is for genocide (or commissioned to be made for such a purpose; it’s not impossible that an artist be commissioned to give voice to a perspective or person in their music, it’s actually common) or number two the song is a betrayal of knowledge of this phenomena taking place in America.
Either way, I think you’ll enjoy this trip down memory lane and if you know what to look for (I’ll be your guide through some but not all of our features.) your jaw just might drop open when realizing just how long this ball has been in play for.
-Christ Titus
Let’s begin by putting our strongest step forward. I know opinions differ on this as a strategy with some preferring to delay the strongest card being played for sake of surprise or engagement but I’m going to start things off with a bang here–Heart and Soul by T’Pau is a masterwork in covert speech (if not hate speech), innuendo, argument and counter-argument, background visuals, multiple personalities and multiple perspectives. It’s so special it even includes subliminal speech that is voiced under the music and lyrics of the song! Liminal subliminal messages overtly placed for your study in operational psychology! I tell you it’s a masterwork.
Although the theme of the song is one might suppose to be sung on behalf of one panhandling, it is quickly surmised to be known that is is in fact the opposite. Look carefully at shadows on the ground for the story they suppose and you will likely see stories of someone escaping slavery or trafficking trying to get away.
Okay, the first one was a great example of subliminal speech and innuendo so let’s make the second a good example of acknowledgement. Acknowledgement is a signal leak of something going on and although people have been grievous of societal indifferences for a long, long time we are looking for those tied to our current epidemic of genocide of Americans by Americans.
Cult of Personality by Living Color is a great and enduring anthem in this regard and it’s a good rock song as well. I remember exactly where I was the first time I saw the music video because I had never seen nor heard African people making rock music before. And although it’s been tenatively confirmed to Me by spooks that it was in fact a black man who created rock music (who’s name is not to be revealed I believe) Africans are largely “not allowed” to make music in this genre as whites wanted it for themselves. Rage Against the Machine is the only exception in this category and exceptional in their own right. Look for them later in the list.
In this video it’s the lyrics but you will also see body language–for example when the guitarist stands right behind the lead singer and the singer walks off with his jacket hugging himself as if a rape victim. That is genocide paraphernalia. To stand behind someone is the innuendo and it’s common to see and it’s also the sign for rape and rape–as in personal not sexual–means to displace someone as animals do, often attacking from behind.
Watch this space for more to come!